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I On The Arts
Deborah Krieger writes about art and culture.
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Showing posts from 2022
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November 07, 2022
ART REVIEW: Mary Brøgger at Rose Gallery
October 07, 2022
INTERVIEW: Kelsey Halliday Johnson leads and advocates for the arts and social justice at SPACE in Portland, ME
September 07, 2022
VIDEO POST: “ART CHAT: TIFFANY WINDOWS: ART, LABOR, WOMEN”
August 07, 2022
ART REVIEW: The visceral impact of scenes of intimacy in “Any distance between us” at the RISD Museum
July 07, 2022
Netflix series ‘This is a Robbery’ about Isabella Stewart Gardner Museum art heist is sluggish, overlong, and fails to deliver a great story
June 07, 2022
Halsey Gets Vulnerable, Explores Motherhood And Childbirth On Provocative 4th Album, If I Can't Have Love, I Want Power: BUST Review
May 07, 2022
Jenny Slate's Film "The Sunlit Night" Is An Earnest And Honest Attempt At Translating Creative Thinking Onto The Screen
April 07, 2022
ART REVIEW: Larissa Fassler’s cartography at the Currier Museum describes socioeconomic disparities in Manchester
March 07, 2022
ARTIST PROFILE: SATOSHI FUJIWARA
February 07, 2022
BOOK REVIEW: Andrew Smith’s novel "RABBIT AND ROBOT" takes on new meaning in today’s world
January 07, 2022
THE KRIEGER LIST: I ON THE ARTS' TOP 2021
January 07, 2022
ESSAY: How the Wedding Cake House, a Feminist Architectural Project, is Bigger on the Inside [PREVIEW]
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